MXR M-108 Ten Band Graphic EQ
The MXR M-108 Ten Band Graphic EQ provides extreme control over the 10 most crucial frequencies for guitar. Also, with its separate input gain and output volume sliders, it provides a nearly ridiculous amount of level control. Any sound you want, from thundering crunch to searingly sharp clarity is easy to dial in. Includes power supply.
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MXR M-104 DISTORTION +
The MXR M-104 DISTORTION + Guitar Pedal can be set to produce low volume controllable distortion or increased to achieve a warm tube overdrive. Maxed out the MXR M-104 Pedal produces an extreme fuzz with long sustain.
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Jackson RR1 USA Randy Rhoads Electric Guitar
Master design and craftsmanship with a neck-thru body for searing sustain.
If you’re still looking for your sound, you’ll find it with the Jackson RR1 USA Randy Rhoads Electric Guitar. The young master metal shredder never lived to see the mass production of this guitar, but he helped design and approved the prototype. Equipped with screamin’ Seymour Duncan open humbuckers (an SH2 at the neck and TB4 at the bridge) and an original Floyd Rose double-locking tremolo, this guitar is designed specifically for the kind of sonic pyrotechnics its inimitable namesake made famous. Jackson’s famous sharkfin mother-of-pearl inlays adorn a bound compound radius ebony fretboard mounted on a lightning-fast quartersawn maple neck that runs right through the sculpted alder body. Mother-of-pearl Jackson logo adds a touch of class to the bound headstock.
Jackson’s compound-radius fingerboard curves more dramatically at the nut for easy chording and flattens out as it approaches the neck joint for low-action bends without fretting out. With a more relaxed hand, you’ll play better!
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MXR M-117R Flanger Effects Pedal
The M-117R: a reissue of the infamous original.
Back by popular demand, the MXR M-117R Flanger as Randy Rhoads used creates a variety of wild sounds from dynamic jet plane or cool space effects to short delay, chorus, and vibrato. You have complete control of the filter so you can sculpt the sound you want. Back off the Width setting to zero to disengage auto-sweep, then use the Manual knob to physically place the effect anywhere along the frequency spectrum! Use with guitar, bass, keyboards, and vocals.
The M-117R effects pedal has 4 knobs and a footswitch. The footswitch toggles the flanger effect on/bypass (red LED indicates on). The Manual knob selects the frequency center of the effect when auto-sweep is disengaged. The Width knob at zero disengages auto-sweep, but when you rotate it clockwise, it increases the total phase sweep of the effect. The Speed knob modulates rate of effect. The Regen knob feeds the effect back onto itself at adjustable intensity, increasing the total phase effect.
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Bark At The Moon Downloads
Click track name for iTunes digital download.
- “Bark at the Moon“
- “You’re No Different“
- “Now You See It (Now You Don’t)“
- “Rock ‘N’ Roll Rebel“
- “Centre of Eternity“
- “So Tired“
- “Slow Down“
- “Waiting for Darkness“
- “Spiders in the Night” (Bonus Track)
- “One Up the “B” Side” (Bonus Track)
Personnel: Ozzy Osbourne (vocals); Jake E. Lee (guitar, background vocals); Don Airey (keyboards); Bob Daisley (bass, background vocals); Tommy Aldridge (drums).
Producers: Ozzy Osbourne, Bob Daisley, Max Norman. Reissue producers: Bruce Dickinson.
Recorded at Ridge Farm Studios, Surrey, England. Originally released on Epic (38987). Includes liner notes by Phil Alexander. Digitally remastered by Brian Lee and Bob Ludwig.
The 1982 death of Randy Rhoads was a crushing blow for Ozzy Osbourne–not only did he lose one of the very best rock guitarists of all time, but he lost a dear friend, song collaborator, and a founding member of his solo band. But to Ozzy’s credit, he somehow summoned the strength to soldier on. For his first studio album since Randy’s death, 1983′s BARK AT THE MOON, Osbourne discovered another gifted young player from California, Jake E. Lee.
The album was another big hit, and eventually reached platinum certification. The album’s accompanying tour, which featured openers Motley Crue, was a success as well. The album opening title track has become a fan favorite and concert staple over the years, and remains one of Ozzy’s most furious rockers. Other highlights include “Rock n’ Roll Rebel,” as well as the gothic “Centre of Eternity,” and a surprisingly gentle, string-laden ballad, “So Tired.” And while melody is stressed on such compositions as “You’re No Different” and “Waiting for Darkness,” other selections like “Now You See It (Now You Don’t)” and “Slow Down” have more of a heavy metal sound. Featured as a bonus track on the ’95 CD remaster is the rarity “Spiders in the Night.”
