Marshall 1959SLP Vintage Series 100W Tube Head
The real screamin’ deal!
This is it! The Marshall 1959SLP 100-watt Super Lead Plexiglas, head of the late ’60s/early ’70s, as used by countless classic bands has been re-issued in all of its glory. The 1959SLP has been in production since the late 60s but with various electrical and cosmetic changes happening along the way. The models produced in the late 1960s/early 1970s however, were the ones that most tone gurus regarded as the finest examples. After much searching Marshall managed to track down 2 amps from this period that were the finest they’d heard, packed with all the tone and rich velvet overdrive. They gave these 2 tone monsters to their guitar-playing R&D experts and left them to create a re-issue that was so authentic that they couldn’t tell the difference. They succeeded beyond their wildest dreams — the 1959SLP re-issue came to life!
The Marshall re-issue models all are faithful reproductions of the originals, which shaped the sound of electric guitar as we know it. The main characteristic that these amps share is their simplicity of operation and superb natural valve tone. Achieving the beautifully organic and vibrant overdrive, which is their trademark, can only be done in one way - crank ‘em up! The result is pure, majestic tone uncluttered by unnecessary circuitry. With solos this produces a big, round, warm, sustain, full of classic character. With chord work you get a bark and percussive attack with a natural sounding break up, which allows each note to ring out in a glorious musical crunch.
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MXR M-108 Ten Band Graphic EQ
The MXR M-108 Ten Band Graphic EQ provides extreme control over the 10 most crucial frequencies for guitar. Also, with its separate input gain and output volume sliders, it provides a nearly ridiculous amount of level control. Any sound you want, from thundering crunch to searingly sharp clarity is easy to dial in. Includes power supply.
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MXR M-104 DISTORTION +
The MXR M-104 DISTORTION + Guitar Pedal can be set to produce low volume controllable distortion or increased to achieve a warm tube overdrive. Maxed out the MXR M-104 Pedal produces an extreme fuzz with long sustain.
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Jackson RR1 USA Randy Rhoads Electric Guitar
Master design and craftsmanship with a neck-thru body for searing sustain.
If you’re still looking for your sound, you’ll find it with the Jackson RR1 USA Randy Rhoads Electric Guitar. The young master metal shredder never lived to see the mass production of this guitar, but he helped design and approved the prototype. Equipped with screamin’ Seymour Duncan open humbuckers (an SH2 at the neck and TB4 at the bridge) and an original Floyd Rose double-locking tremolo, this guitar is designed specifically for the kind of sonic pyrotechnics its inimitable namesake made famous. Jackson’s famous sharkfin mother-of-pearl inlays adorn a bound compound radius ebony fretboard mounted on a lightning-fast quartersawn maple neck that runs right through the sculpted alder body. Mother-of-pearl Jackson logo adds a touch of class to the bound headstock.
Jackson’s compound-radius fingerboard curves more dramatically at the nut for easy chording and flattens out as it approaches the neck joint for low-action bends without fretting out. With a more relaxed hand, you’ll play better!
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MXR M-117R Flanger Effects Pedal
The M-117R: a reissue of the infamous original.
Back by popular demand, the MXR M-117R Flanger as Randy Rhoads used creates a variety of wild sounds from dynamic jet plane or cool space effects to short delay, chorus, and vibrato. You have complete control of the filter so you can sculpt the sound you want. Back off the Width setting to zero to disengage auto-sweep, then use the Manual knob to physically place the effect anywhere along the frequency spectrum! Use with guitar, bass, keyboards, and vocals.
The M-117R effects pedal has 4 knobs and a footswitch. The footswitch toggles the flanger effect on/bypass (red LED indicates on). The Manual knob selects the frequency center of the effect when auto-sweep is disengaged. The Width knob at zero disengages auto-sweep, but when you rotate it clockwise, it increases the total phase sweep of the effect. The Speed knob modulates rate of effect. The Regen knob feeds the effect back onto itself at adjustable intensity, increasing the total phase effect.
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